Hung's second album Devastations is the ecstatic cry of colour found between light and dark. The album documents a transitional period in Hung's life; a stepping out from the shadows. Hung explores the deepest recesses of his psyche and in doing so finds himself reconciling the light and dark within. Underlying the propulsive bests and prisms of noise is a melodic tenderness that weaves throughout the album; an offering hand emerging from a turbulent sky. The deepening of inner space becomes an exploration of the universal; a new beginning from the Devastations of old worlds. Andrew Hung is an artist known for his breakthrough debut Realisationship, film soundtracks (The Greasy Strangler, An Evening with Beverly Luff Linn) and his collaborations (Fuck Buttons, Beth Orton and Aime Osbourne) His work as Fuck Buttons brought about three critically-acclaimed albums, headline slots at festivals such as Glastonbury, Green Man and All Tomorrow's Parties. Their music sound tracked key moments in the 2012 London Olympics opening ceremony. Hung went on to work with cult director Jim Hosking and his films "The Greasy Strangler", "An Evening with Beverly Luff Linn" and "Tropical Cop Tales" for Adult Swim.